Treasures Gallery

Anticlockwise from the bottom right hand corner: two people sitting on a bench in a gallery, looking at the Mabo wall displays. One person is standing up looking at a framed poster. Another person is standing at the back of the gallery space looking at botanical artworks.  Another person is blurred as they walk through the space.

The Treasures Gallery showcases the extraordinary holdings of the National Library of Australia. Our vast collection is primarily composed of documentary resources of national significance relating to Australia and the Australian people.

While the Library has millions of books, we also collect other items. From maps and books to manuscripts, photographs, paintings and ephemera, the Treasures Gallery is where you can view some of the Library's most important, popular and unique items.

Our displays change regularly so we always have exciting new stories to share.

Highlights of the latest display include:

  • the history of the Library and its much-loved building
  • stories relating to Australian democracy, such as Australia's first Indigenous parliamentarian, Senator Neville Bonner AO, and the work of suffragist Nellie Martel
  • objects celebrating the preeminent author Patrick White, Australia's sole Nobel Prize Laureate in Literature, offering a window into the Library's holdings related to Australian writers.

The Treasures Gallery is free and open every day, except Christmas Day and Good Friday.

The Library warmly thanks our Treasures Gallery supporters. Their generosity has made it possible to bring these treasures to life for the whole community.

Treasures Gallery highlights

Black and white photo of the National Library of Australia's main reading room

Max Dupain, Main Reading Room from eastern end, National Library of Australia, Canberra, 1968, nla.gov.au/nla.obj-144064880

Established in 1901 as part of the Commonwealth Parliamentary Library, the Library started life in the Victorian Parliament House, Melbourne. The name 'Commonwealth National Library' was adopted in 1923 and, four years later, the staff of 12 moved to Provisional Parliament House (now Old Parliament House) in Canberra. In 1934 a smaller building (since demolished) opened on Kings Avenue.

The National Library Act 1960 established the Library as an independent institution, separating it from the Commonwealth Parliamentary Library. The current building, which opened on 15 August 1968, allowed for a greater array of services to readers and visitors and for better storage capacity for the collection.

A painting of a man with black hair and beard on white background

Eddie Mabo, Self portrait, nla.gov.au/nla.obj-147044547

The Mabo v Queensland (No. 2) decision was handed down in the High Court of Australia on 3 June 1992. 'Mabo' - as it has come to be known - altered the foundation of land law in Australia. It provided official recognition of the inherent rights of Indigenous Australians to their traditional lands.

The National Library of Australia holds an extensive collection of material relating to the Mabo decision and to its lead applicant, Eddie Koiki Mabo. To celebrate the 30th anniversary of the Mabo decision, the National Library invited Gail Mabo, Eddie's daughter, to select material for display to mark this landmark moment in Australian legal history.

Poster advertising a rally for gay law reform to be held 4pm Thursday 31 August 1989

In 1988, Ted Kelk and Pat O'hara founded the Queensland Association for Gay Law Reform (QAGLR). With the recent election of the Wayne Goss Labour government in Queensland, ending 32 years of conservative government rule, progressive groups such as QAGLR had the opportunity to petition a more receptive government to end laws criminalising homosexuality. After a concerted lobbying and submission effort, the Queensland government passed The Criminal Code and Another Act Amendment Act, 1990, decriminalising sex between consenting men.

Painting of chrysanthemums

Ellis Rowan, Chrysanthemums, ca. 1890, nla.gov.au/nla.obj-138089294

Australian artist Ellis Rowan primarily worked in watercolour and gouache, and is best known for painting Australian native flowers. She caused a stir at the 1888–89 Centennial International Exhibition in Melbourne when her painting Chrysanthemums won First Order of Merit and Gold Medal. This similar painting, depicting the same type of flower, is a more recent addition to the Library's vast Rowan Collection, the bulk of which was acquired for the nation for £5,000 in 1923.

Letter written in cursive script on yellowing paper

Bennelong, Letter to Mr Phillips 1796 Aug. 29, nla.gov.au/nla.cat-vn1805039

This document records the earliest known piece of writing by an Indigenous Australian. The manuscript is the only contemporary copy of a dictated letter which appears to have been copied verbatim by an unknown scribe. The author, Bennelong, a leader of the Wangal people, and his young kinsman, Yemmerrawanne, became the first Indigenous Australians to travel to England in December 1792. During the trip, they both fell ill. Sadly, Yemmerrawanne died and Bennelong returned home alone in 1795. In this letter to Mr and Mrs Phillips, Bennelong profusely thanks them for looking after him.

A photograph of Australian poet Banjo Paterson in side profile. He wears a hat and a suit jacket.

Banjo Patterson, photograph, nla.gov.au/nla.obj-2902002641

Andrew Barton 'Banjo' Paterson is arguably Australia's most celebrated poet. White settler culture and the bush were his subjects, the bushman his hero. A practising solicitor, Paterson began publishing poems in the popular journal The Bulletin under the pseudonym 'The Banjo', taken from a racehorse owned by his family. The popularity of his works led to the publication of his first collection of poems, The Man from Snowy River and Other Verses in 1895. Featuring in the Gallery is a display on Paterson and his contemporary Henry Lawson.

Hand-drawn picture of Kaaroo

Gooseberry, Queen of Bungaree, nla.gov.au/nla.obj-135902455

Kaaroo (c. 1777–1852), known to Europeans as Cora Gooseberry, was a significant Murro-ore-dial knowledge-keeper, daughter of the prominent leader Moorooboora, and the principal wife of Bungaree. For more than two decades after Bungaree's death, Kaaroo maintained a place in the local consciousness of Sydney, attending levees at Government House, and sharing her knowledge of petroglyphs (rock carvings or paintings) at North Head.

1904 camera

Harold Cazneaux's first camera, 1904, nla.gov.au/nla.obj-141166704

Harold Cazneaux (1878–1953) was perhaps Australia's best-known photographer of the early twentieth century. He purchased this camera in 1904, shortly after moving from Adelaide to Sydney, and made photographs of Sydney's streets and waterways.

In 1909 he became the first Australian photographer to exhibit his works in a solo show.

Cazneaux was a master of the pictorialist style of photography, using soft focus to capture scenes that were - and remain - familiar to many Australians in a new light. He was able to find a timeless, extraordinary beauty in the everyday.

Men sitting around shelters at Happy Valley camp during the Great Depression, La Perouse, New South Wales, ca. 1932

Fairfax Corporation, Men sitting around shelters at Happy Valley camp during the Great Depression, La Perouse, New South Wales, ca. 1932, nla.gov.au/nla.obj-160381801

During and after the First World War, hundreds of thousands of Australian servicemen were repatriated to Australia. State and federal governments enacted a scheme to provide around 37,500 returned servicemen with land and agricultural training.

However, the allotments of land were too small, with poor soil quality, and expert advice was lacking. As a result, by 1929 nearly 11,000 soldier-settlers had abandoned, forfeited or transferred their allotments. The scheme has largely been considered a failure.

A cosmographical map of the Asia-Pacific region

The Schevenhuysen Map, nla.gov.au/nla.obj-3086508917

This cosmographical map, dating from the end of the 'Dutch Golden Age', was acquired by the Library in 2022.

The map's layout brings together different mapping and philosophical traditions of important past mapmakers: there are eight concentric rings, with Hell (Inferno) at the centre and the heavens on the periphery.

The depiction of the Asia-Pacific region in the terrestrial zone reflects European knowledge as it stood before the mapping of the early-sixteenth-century Dutch explorers.

Accordingly, Australia does not explicitly appear, except for a passing reference to 'Terra Australis nondum planedetecta' (Southern land not yet fully known) in the map's upper righthand corner.

Treasures Gallery supporters

The Library warmly thanks Treasures Gallery supporters. Their generosity has made it possible to bring these treasures to life for the whole community.

Principal Treasures Gallery Partner

  • The Ian Potter Foundation

Platinum Treasures Gallery Partners

  • John T Reid Charitable Trusts
  • Sidney Myer Fund

Gold Treasures Gallery Partners

  • ActewAGL
  • Dr James Bettison and Ms Helen James
  • Professor Henry Ergas
  • Harold Mitchell Foundation
  • Macquarie Group Foundation
  • Mr Kevin McCann AM
  • Thyne Reid Foundation

Silver Treasures Gallery Partner

  • Friends of the National Library of Australia

Bronze Treasures Gallery Partners

  • Mr James Bain AM and Mrs Janette Bain
  • Mr Victor Crittenden OAM
  • Mr James O Fairfax AC

Opal Treasures Gallery Partners

  • F and J Ryan Foundation
  • Mr Philip Flood AO & Mrs Carole Flood
  • GHD Pty Ltd
  • Dr Kenneth Moss AM & Mrs Glenn Moss

Jade Treasures Gallery Partners

  • Ms Cynthia Anderson
  • Dr Desmond Bright and Dr Ruth Bright AM
  • Mr Michael Heard and Mrs Mary Heard
  • Mr Robert Hill-Ling AO and Mrs Rosemary Hill-Ling OAM
  • Mrs Claudia Hyles
  • Mr Baillieu Myer AC and Mrs Sarah Myer
  • Miss Kay Rodda
  • Mrs Mary Louise Simpson
  • Mr John Uhrig AC and Mrs Shirley Uhrig
  • One donor has given anonymously at this level

Amber Treasures Gallery Partners

The National Library has over 100 Amber Treasures Gallery Partners. Many other individual Library supporters have contributed generously through our Donation Boxes.

Exhibition details
26 Jun 2024 – 01 Jan 2099
09:00 – 17:00
Free
Treasures Gallery
Accessibility
Assistance animals icon Assistance animals icon Assistance animals welcome
Wheelchair icon Wheelchair icon Wheelchair accessible

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