Great female writers of centuries past: Sappho to Aphra Behn

Published on 15 Dec 2023

Sappho, Hildegard von Bingen and Aphra Behn: an ancient Greek poet; a medieval abbess, composer and writer; and a Restoration playwright and spy. What do they have in common?

They are all represented in the National Library of Australia’s rare books collections.

Sappho Hildegard von Bingen Aphra Behn rare books

The longer I spend with these collections, the more I realise how rich they are. They include the work of many of the great female writers of centuries past.

This is the first of a two-part taste of these rare books. It looks at women writers who lived from ancient times to 1700. The second part's focus will be books by their 18th-century counterparts.

While many of these works are available online or in your local bookshop's 'Classics' section, there is nothing quite like seeing these classics in the form they were printed centuries ago. (Speaking as someone who loves her paperbacks.) We tend to favour the latest edition or translation, which promises to present the most authentic and authoritative text, closest to the intention of the author. But what were these earlier versions the latest edition is improving upon? They are long forgotten in many cases. If lucky, a footnote or a line in a list of previous editions.

The works of Anacreon to which are added of Sappho London John Watts 1735

Joseph Addison, The Works of Anacreon, translated into English Verse with Notes Explanatory and Poetical to which are added the Odes, Fragments, and Epigrams of Sappho, With the Original Greek Plac’d opposite to the Translation, London: John Watts, 1735, Overseas Rare Books Collection, RB CAM 2, nla.cat-vn668

Joseph Addison, The Works of Anacreon, translated into English Verse with Notes Explanatory and Poetical to which are added the Odes, Fragments, and Epigrams of Sappho, With the Original Greek Plac’d opposite to the Translation, London: John Watts, 1735, Overseas Rare Books Collection, RB CAM 2, nla.cat-vn668

Sappho

Called the 'tenth muse' by the philosopher Plato, Sappho is known for creating some of history's most beautiful poetry. Only a fraction survives. She lived in the late 7th and early 6th centuries BCE, mostly at Mytilene on the Greek island of Lesbos. An icon, her life and sexuality have always been debated. Yet it is clear that she was from an aristocratic family, she married and had a daughter, and had relationships with women. She spoke and wrote in the Aeolic dialect. Most of her poems were songs, to be performed accompanied by a lyre, a stringed instrument. She was known and quoted by the ancient Romans, and the Library of Alexandria (the great library of antiquity) had good collections of her work. Her writings were rediscovered in the Renaissance, and more in 1896 in excavations in el-Behnesa, Egypt (Oxyrhyncus in ancient times) and in the last couple of decades.

Writer Joseph Addison drew attention to Sappho, first in a couple of articles in his journal The Spectator in 1711, and then with this translation. Referring to the incomplete nature of Sappho's surviving work, he wrote in The Spectator, 'Among the mutilated poets of antiquity there is none whose fragments are so beautiful as those of Sappho.'

Only a small proportion of this book features Sappho's poems; the majority is the work of the ancient Greek lyric poet Anacreon. Addison includes a brief biography of Sappho's life.

The works of Anacreon to which are added of Sappho, London John Watts, 1735 no. 2

Sappho's odes

Sappho's odes

Widely known as the 'Ode to Aphrodite' or 'Sappho fragment 1', this is one of Sappho's most famous works. Though called a fragment, it is almost complete. Addison's edition uses the Roman name for the goddess of love and beauty: Venus. The English translation appears opposite the Greek original.

Here are the first couple of verses:

AN HYMN TO VENUS

MANY-Scepter'd Queen of Love,

Guile-enamour'd Child of Jove,

Ever-honour'd! cease my Smart,

Nor oppress thy Vot'ry's Heart.

But, propitious, Oh descend!

And my tuneful Vows attend.

From thy Father's gold-roof'd Court,

Once they charm'd thy kind Resort.

The book features many printers' ornaments. The publisher, John Watts (c.1678–1763), specialised in literary works often of some beauty. A project at the University of Birmingham focuses on printers' ornaments and catalogues 176 for this book alone. See them all on the project's webpage . American founding father, swimmer , and man of many talents, Benjamin Franklin worked at John Watts' printing house for several months in 1725–1726. He worked first as a 'pressman' with the printing presses, a job requiring strength, and later as a compositor. In his autobiography, he described his fellow workers at Watts—of whom there were almost 50—as 'great Guzzlers of Beer'.

Hildegard von Bingen

German Benedictine abbess, composer and writer Hildegard von Bingen (1098–1179) is best known today for her music. Yet she also wrote extensively. In her lifetime, her best-known written work was her Scivias, about her religious visions, which she commenced in 1142 and completed in 1151 or 1152. A number of manuscript versions are known, most notably the Wiesbaden manuscript. It was copied from Hildegard's manuscript, with her knowledge, and completed after her death. Scivias is a truncation of the Latin words Sci vias Domini (Know the ways of the Lord) and was first printed in Latin in 1513.

Hildegard von Bingen

Miniature of Hildegard von Bingen (left), 12th Century, Courtesy Wikimedia Commons 

Miniature of Hildegard von Bingen (left), 12th Century, Courtesy Wikimedia Commons 

The first book of the Scivias sets the scene in Mark Atherton's translation: 'I saw the likeness of a great mountain the colour of iron, and on it sat a figure in great brightness, so bright that it dazzled my eyes.'

Heloise (and Abelard)

The letters of Peter Abelard and Heloise are among history's great love letters. Abelard was one of the most prominent scholars and teachers of 12th-century Paris. Heloise or Eloise was his brilliant student. They became lovers, married and had a son they named Astrolabe, yes, after the scientific instrument. Her uncle did not approve of the match. Abelard became a monk; Heloise became a nun. Heloise's uncle had Abelard attacked and castrated. Heloise and Abelard wrote letters to each other. For many years, only a small number of long letters were known. Australian academic Constant J. Mews made headlines worldwide about finding more and published a book.

Abelard and Heloise

Abelard and Eloise from a 14th-century manuscript of the Roman de la Rose held at the Conde Museum, Chantilly, France MS 482/665 Courtesy Wikimedia Commons 

 

Abelard and Eloise from a 14th-century manuscript of the Roman de la Rose held at the Conde Museum, Chantilly, France MS 482/665 Courtesy Wikimedia Commons 

 

d'Abelard et d'Eloise 1711

François Nicolas Du Bois (d. 1750), Histoire des Amours et Infortunes d’Abelard et D’Eloise. Avec la Traduction des Lettres qu’ils s’écriverent l’un à l’autre. Cinquième Edition. Revué, corrigée & augmentée (The History of the Loves and Misfortunes of Abelard and Eloise. With the translation of the letters that they wrote to each other. Fifth edition. Reviewed, corrected and augmented), The Hague: Louis and Henry van Dole, 1711, Clifford Collection (Overseas Rare Books), RB CLI 336, nla.cat-vn2607048

François Nicolas Du Bois (d. 1750), Histoire des Amours et Infortunes d’Abelard et D’Eloise. Avec la Traduction des Lettres qu’ils s’écriverent l’un à l’autre. Cinquième Edition. Revué, corrigée & augmentée (The History of the Loves and Misfortunes of Abelard and Eloise. With the translation of the letters that they wrote to each other. Fifth edition. Reviewed, corrected and augmented), The Hague: Louis and Henry van Dole, 1711, Clifford Collection (Overseas Rare Books), RB CLI 336, nla.cat-vn2607048

To her only one after Christ, she who is his alone in Christ.

I am surprised, my only love, that contrary to custom in letter-writing and, indeed, to the natural order, you have thought fit to put my name before yours in the greeting which heads your letter ... We were also greatly surprised when instead of bringing us the healing balm of comfort you increased our desolation and made the tears to flow which you should have dried.

This is how Betty Radice translated the beginning of this letter for Penguin.

Dorothy Osborne

Moving forward 500 years, Dorothy Osborne's (1627–1694/5) letters to William Temple (1628–1698) are another among history's greatest love letters.

Dorothy-Lady-Temple.jpg

Caspar Netscher, Dorothy, Lady Temple, oil on canvas, 1671, National Portrait Gallery, London NPG 3813, Creative Commons 

Caspar Netscher, Dorothy, Lady Temple, oil on canvas, 1671, National Portrait Gallery, London NPG 3813, Creative Commons 

Dorothy Osborne's letters make fascinating reading. They reveal a lively, witty and bold mind. She was unafraid of teasing Temple, hiding her intelligence or her thoughts and fears from him. Of course without his answers, there is no complete picture.

For example, this letter dated Saturday, 15 July 1654:

I see you can chide when you please and with athority; but I deserve it I confesse and all I can say for my self is, that my fault proceeded from a very good principle in mee; I am apt to speak what I think; and to you have soe accoustumed my self to discover all my heart, that I doe not beleeve twill ever bee in my power to conceal a thought from you; therfore, I am affrayed you must resolve to bee Vexed with all my sencelesse aprehensions...

Many of the letters are of unclear date or sequence - a challenge for editors over the past 150 years.

Katherine Philips

Katherine Philips (1632–1664) was an English poet with a puritan background and royalist sympathies.

Katherine Philips ne Fowler

William Faithorne, Katherine Philips, engraving, 1667, National Portrait Gallery, London, NPG D5411, Creative Commons

William Faithorne, Katherine Philips, engraving, 1667, National Portrait Gallery, London, NPG D5411, Creative Commons

Marie de Rabutin-Chantal, marquise de Sévigné (1626–1696), known as Madame de Sévigné, is widely regarded as the most erudite female French writer of the 17th century.

Most of her extraordinary correspondence was directed to her daughter, who after her marriage went to live in Provence. While some of her letters were known in the 17th century, they were first published in 1725 at first without the permission of her granddaughter. This edition was published in 1738.

Madame de Sevigne letters French 1738 edition

Recueil des Lettres de la Madame La Marquise de Sevigne, a Madame la Comtesse de Grignan, sa fille, Nouvelle Edition, Tome 1, Paris Chez Rollin fils, Libraire, 1738, Clifford Collection (Overseas Rare Books), RB CLI 2305, nla.cat-vn1060732

Recueil des Lettres de la Madame La Marquise de Sevigne, a Madame la Comtesse de Grignan, sa fille, Nouvelle Edition, Tome 1, Paris Chez Rollin fils, Libraire, 1738, Clifford Collection (Overseas Rare Books), RB CLI 2305, nla.cat-vn1060732

Aphra Behn

Aphra Behn (1640–1689) was one of the most successful English playwrights of the 1670s and 1680s.

She was one of the first English women to earn her living by her pen, and her novel Oroonooko is one of the first. She was prolific, releasing a book of poems, 2 miscellanies, 17 plays, 6 translations and 2 works of fiction before her death in 1689. In the 1660s, Aphra Behn had worked as a spy for the King–Charles II–in Antwerp against the Dutch.

Aphra Behn by Peter Lely ca. 1670

Sir Peter Lely, Aphra Behn, c. 1670, Yale Center for British Art, Courtesy Wikimedia Commons

Sir Peter Lely, Aphra Behn, c. 1670, Yale Center for British Art, Courtesy Wikimedia Commons

Though these early editions of work by great women writers are just one incarnation among many, between the moment the authors first picked up their pens and the modern paperback edition, they are important. They tell us much about these classic works' journeys through time. We can see how these writers have been credited, printed, promoted and published in times past we can only imagine.

To see more of the great female writers held in the Library's rare book collections, check out Great female writers of the eighteenth century: Trailblazers and radicals.

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